Sonia Sharnova (1896-1988), born Ethel Shapiro, with whom I studied whenever I was in Chicago from 1964 until her death.  The undated photo is from the thirties; the inscription reads: ‘To my good friend Lester Hodges –

in appreciation of many happy musical hours – with best wishes – Cordially, Sonia Sharnova – Chicago, April, 1937.’  She is dressed in her Amneris outfit.  Other important roles included Azucena, Quickly, Fricka, Erda, and Brangaene.  She sang leading mezzo roles with the several Chicago Opera companies in the ’30s and ’40s, the German Grand Opera, and others.  Colleagues included Kirsten Flagstad, Johanna Gadski, Alexander Kipnis,

and Rosa Raisa.  In spite of the nasty imperious expression, appropriate for Amneris, she was a really nice lady, and what a voice! even into her nineties.

Eva Gustavson (1917-2009),

with whom I studied at the University

of Southern California in 1970-1971.  

The 1949 photo is from a filmed

concert performance of Aïda

conducted by Arturo Toscanini

in which she sang Amneris.

To her right is Richard Tucker.

Sonia Sharnova (1896-1988), 1929

Jennie Tourel (1900-1973),

with whom I coached at Juilliard

in 1967-1968.  At the time, in her

late sixties, she really didn’t look this

cute anymore, unfortunately, but she

sure did continue to sound great.

Eva Gustavson in 2006, age 89

Gwendolyn Koldofsky (1906-1998),

with whom I coached at the

University of Southern California between 1971 and 1977

Below are pictures of several

of my voice teachers and vocal coaches.  Since we are all the products of our teachers, (which some of us sometimes forget!), I would like to post

pictures of these teachers on my website.  Unfortunately, I have found only four on the web.  I been unable to find pictures of Emanuel Balaban, Hans Heinz, Otto Herz, John Large, Margaret Schaper, Alan Stone, Marion Szekely-Freschl, and William Vennard.  It seems strange that I cannot find them on the web because it seems that everyone is somewhere on the web and they were all quite distinguished.  If anyone who visits this page could supply photos of any of my voice teachers and vocal coaches listed on my Curriculum Vitae,

I would appreciate it and post them here.  My email address

is iangeller@email.com or call

me at 917-439-1563 if you are interested.  (Isn’t it interesting that three of the four pictured here achieved the age of 92).  

IAN GELLER

baritone / teacher

 

Telephone: 917-439-1563

E-mail: iangeller@email.com

 

MY APPROACH TO TEACHING

AND SINGING

 

and SOME (85) OF MY FAVORITE SINGERS

 

Q.  What is the most important aspect of any performance?  

 

A.  Whatever gives YOU the most difficulty.

 

Q.  Just what is a great voice?  (Rudolph Bing called it, “A disease of the throat)!”  What is vocal technique?  What is the relationship of the great voice to the great technique?  

 

A.  We think of a great voice as one with power and volume, beautifully colored, perfectly controlled, always smooth and easy, always perfectly in tune, with smooth attacks and releases, controlled dynamics, flawless sustained notes, the ability to sustain long phrases in one breath, an even scale with no breaks from top to bottom, easy and well controlled high notes and low notes, and with a vibrato that is smooth, even, subtle, and unobtrusive, adding vibrancy to the sound.  (Is this you)?  

 

Technique is the physical ability to do all of this.  Technique, simply defined, is the physical wherewithal to make music, whether instrumental or vocal.  Period!  This may seem very simplistic but this says it all.  

 

The singer may not always be conscious of his/her technique and his/her ability to control everything.  Often these techniques are instinctive; the singer is simply able to do all of this without quite understanding how or why.  We say that such a singer is born with a great voice.  But in most cases some of these techniques are lacking and the singer must learn how to do these things.  

 

Some people, perhaps even most people, regard technique as the ability to barrel through “difficult” passages, usually meaning fast, high, loud passages, without getting into too much trouble.  But real technique is far more encompassing.  The physical ability to control every aspect of the performance, including dynamics, phrasing, tone color, indeed, every element of musicality is as much a part of technique as is knocking the socks off the audience in the showy virtuoso passages.  Sustaining the slowest music with a perfectly even line and flawless legato, with the ability to control the tiniest, most subtle of nuances is a most important aspect of technique, and is more difficult than the so-called “difficult” stuff.  

 

Vocal technique should be thought of as plural rather than singular. There are many different techniques, each of which enables the singer to do certain things but not necessarily others.  Basic to most of the techniques of tone production are correct posture, use of the abdominal muscles in breathing, opening the throat, correct positioning of the larynx and tongue, and most important, a feeling of ease and relaxation in the throat.  Each vowel, each consonant, every dynamic level, every coloration, and every dramatic effect has specific ways of being produced for maximum beauty and projection with maximum ease.  Proper technique enables the singer to produce a big and gorgeous tone, express emotion, and bring a tear to every eye, a lump to every throat, and a few chills to every spine (not to mention a few dollars to his/her bank account).

 

Standing in the way is a widespread but very false belief: a great voice and all its attendant attributes: killer high notes, devastating power, dazzling fioratura, floating pianissimi, impeccable diction, phenomenal breath control, and all the other good stuff we admire in our favorite singers are things with which one must be born.  We use the verb, ‘to have,’ to refer to the various characteristics, both good and bad, of the voice.  I even use it myself.  But this is wrong!  In truth, it would be correct to substitute the verb, ‘to do.’ The singer’s attributes and the singer’s problems are caused by what the singer ‘does’ physically rather than what the singer ‘has.’

 

All of the aspects and techniques of fine singing can be learned, developed, and improved: ease, power and volume, beauty, an even scale with no breaks or changes of quality, high and low notes, smooth vibrato, and pinpoint dynamic control.  

 

Please do not think that I am saying that just anyone can become another Eileen Farrell, Fiorenza Cossoto, Franco Corelli, Leonard Warren, or Kurt Moll.  (Sigh... wouldn’t it be nice if we could). What I am saying is that most talented, intelligent, hard-working people can vastly improve upon what they now sound like and come much closer to greatness than they may imagine.  Who knows what an underdeveloped voice can achieve if nothing is tried?  And the folks who don’t try achieve nothing.  

 

Most people, however, who lack aspects of a fine voice believe the common view that a fine voice is something with which one is born, and thus, do not try, do not seek out teachers who can help them, and do not work on their problems with the assurance that their inadequacies can be overcome.  

 

I KNOW that all the aspects of a fine voice can be learned.  These days I am frequently told that I was born with a fine voice by people who did not know me way back when.  But no one knows better than I that I was not born with nearly the voice I have now. At one time I had no top, no bottom, no power, no control, and a dinky little sound. Check out some of the downloads on this website and hear what I sound like now.  (I was told by the director of an opera company with which I sang that I must never speak of this out loud.  People will look for trouble in my voice)!  

 

Click here to go to all the downloads on the bottom of the

Home / Downloads page.  

 

(It is with the deepest regret that I must confess that, although I have improved virtually every aspect of my voice, I have not, and most likely never will, improve certain aspects of my voice to the level of some of my great colleagues.  I keep working and things keep getting better, but I will probably be in my grave long before I sound like one of the quintet I mentioned above.  There is a limit. When I hear Leonard Warren my primary emotion is jealousy)!  

 

Actually, there are two things with which you really must be born and ‘have:’ talent and intelligence.  They do not necessarily go together.  Furthermore, in the talent department, it seems that sensitivity to pitch and sensitivity to rhythm also do not always go together.  Talent and intelligence both seem to be genetic.  One has what one has, although one can learn to use what one has more effectively.  You need sensitivity to tone and pitch so you can hear when a musical sound is right, and you need an IQ higher than your age which enables you to analyze and figure out what you are doing and what you need to do to improve.  If you have an analytical mind which enjoys problem-solving along with a good musical ear, you can build your voice.  

 

I have had students who were talented pianists but non-singers, without a good sounding voice, but who had to study voice for a degree program.  Several months later people were saying, “Where did he get that beautiful voice?”  I heard the comment, ”Well, he must have had it all along, locked up inside.”  My response is: “Of course!  We all have it!”  Researchers have examined larynxes excised from cadavers of singers and non-singers and cannot tell the difference between the larynx of one and the other.  The difference is all in how they used what they had.  Remember, for most people the basic instrument is there.  Consider, owning a Stradivari violin does not mean you can play it.  And consider further that a cheapo Stradavarius model violin, made out of plastic or fiberglass in some factory in some third-world country, and sold to tone-deaf students for $29.95, can nevertheless sound quite decent in the hands of a master violinist.

 

THIS IS IT!  THE PART FOR WHICH YOU HAVE ALL BEEN WAITING.  

 

Q.  How is all this done?  How exactly does one develop a great sound?

 

A.  The student must learn to sing while standing with correct posture, breathing properly, low into the abdomen, with the belly and ribcage expanding, the diaphragm dropping, not heaving the chest and shoulders, and opening the throat, which involves relaxing and dropping the jaw easily, never with force, feeling a lift in the upper back of the throat, and keeping the base of the tongue low and relaxed.  I never cease to be amazed at how frequently so many aspects of correct posture, breathing, the open throat, and relaxation are foreign to so many singers, including experienced professional singers, resulting in obvious vocal problems. The student then sings simple vocalises strictly maintaining correct posture, breathing, and the open throat.  This must be very very strictly maintained on all vocalises and music and must be second nature, which may happen to new students within months or many years, depending on the singer.  Note that, due to differences in the physical structure of each individual, the ideal position of the mouth, tongue, and throat may be different for each singer.    

 

Q.  Why does this work?  Why is correct posture, breathing low into the abdomen, and the open throat necessary?  

 

A.  It is efficient.  Correct posture facilitates proper breathing.  If the work of breathing comes primarily from the belly and ribcage expanding and the diaphragm dropping, while the chest and shoulders remain relatively motionless, the result is far greater speed in inhalation, with much less effort, and with much greater control of the airflow and thus, of the whole voice.  The chest and shoulders are cumbersome and heavy, and if they move, singing can become tiring and lead to unwanted throat tension.  (An interesting sidelight: I once taught a baritone who was a physical education major.  He told me he was taught by a football coach to suck in the gut and breathe up into his chest, the wrong way for singing, because when you get tackled it does not knock the wind out of you.  Singers, however, rarely get tackled.  [Cavaradossi may be tackled when he tries to attack Scarpia, but he knows it’s coming, and after that moment he does not have to sing until the next act]!  My student tried breathing my way while swimming laps, and found he could suddenly do more laps)!  The open and relaxed throat enables the sound to resonate more fully through a much wider and more even range, with a smoother scale, and much easier high notes, all with much less physical effort.  The voice becomes much bigger, more powerful, more flexible, more beautiful, and more expressive, capable of doing exactly what the singer wants, and it becomes much less tiring to sing anything.  

 

The student will see, hear, and feel how the position and relaxing of his/her abdominal muscles in support, affects tone color and dynamics, clears up register breaks, cracks, wobbles, extends range easily, both up and down, increases volume and resonance without strain, and develops absolute pinpoint control of everything one does.  

 

The student learns how sung vowels assume different jaw, mouth, and tongue positions from spoken vowels when the throat is open, and particularly as the notes ascend higher and higher.  This is because we normally speak on low tones and sing on much higher tones.  For acoustical reasons, the quality of most vowels requires a more open position on a higher note than on a lower note.  This change in position, which some voice teachers term “coloring to a more open vowel,” can often be confusing to beginning students.

 

By maintaining relaxation with the open throat the student feels how the voice seems to resonate higher into the head (sometimes called the head voice in voice-teacher-jargon) as he/she ascends higher and higher.  Conversly, the student feels how the voice seems to resonate lower into the chest (usually called the chest voice) as he/she descends lower and lower.  The male descent into the chest voice is very subtle, usually causes no problems, and often is completely unnoticed; the female chest voice can often be a drastic change and cause great problems.  For the most part these changes are caused by changes in the position of the larynx, but in part these are also caused by the acoustics of the body.  One can learn how to make the voice seem to ascend into the head or descend into the chest gradually, thus avoiding the sudden register breaks or changes of quality which afflict many singers.  That the voice seems to be in the head or chest is an illusion, like a mirage, but it is a real illusion based on resonance which you feel in cavities in the body, just as a mirage, though not a lake, consists of real light waves which one sees reflected off hot land surface in the desert.  

 

IMPORTANT!  I am specific about basic technique, relaxation, ease, relieving undue stress and tension, and opening the throat, especially in the development of power and resonance.  All of my best teachers, in every subject I have ever studied, were always alert to the slightest departure from perfection.  They would let nothing go by and I, too, let nothing go by.  Proper teaching technique requires that the moment the student departs from the correct posture or proper breathing or the open throat, and sings with undue stress or tension, the teacher must stop and correct the student and not proceed until correctness is achieved.  This means I stop some people every few seconds!  Singing through lots of repertoire may be lots of fun, but it is the constant stopping and polishing of details that builds real technique, whether in vocal or instrumental study.  This is the only way to teach effectively.  

 

I am constantly amazed at how many singers, including famous and successful singers, do not breathe correctly, do not open fully, and do not sing with relaxation, resulting in weakness, uneveness, wobbles, and strain, as well as problems in the upper register!

 

Remember, most problems are caused by poor position and/or improper tensions.  These problems vanish as soon as one stands, breathes, and opens correctly and relaxes in the proper manner. The results are apparent at once at the first lesson.  Immediate results are often spectacular!  Again, the results include an immediate effortless increase in power, wider range, with especially easy top notes, and a smoothness and ease in the passaggio.  

 

A BIZARRE, BUT RELATED, PROBLEM – SOLVED!  

Many years ago I wanted to sing Cortigiani, vil razza dannata from Rigoletto.  Almost two decades earlier, when I was around seven or eight years old, my mother had bought me a ten inch lp of excerpts from Rigoletto with an unnamed cast.  The baritone, who was sensational, sounded curiously like the young Leonard Warren, who made a number of these no-name recordings early in his career (along with, I think, Eleanor Steber, Jean Madiera, Armand Tokatyan and other Met stars).  In the cadenza at the end, on the ‘pie,’ the first syllable of the second ‘pietà,’ he gives forth with a small but very poignant sob on an Eb, which always broke my heart.  I never heard another baritone do this.  I wanted to sob at that point also, but I couldn’t.  I asked people who could sob how they did it.  My teacher, Sonia Sharnova, was a great teacher, but she could not help.  One expert sobber told me, “You just gotta feel it.”  I did feel it!  I really did feel it!  But I couldn’t DO it. Finally, finally, I figured out what I was doing ‘wrong.’  A sob is actually a small crack in the tone; a moment of falsetto at the right highly emotional moment.  Cracks, however, at the wrong moment are very much unwanted.  I was taught by Sonia Sharnova to relax and drop my jaw, feel a lift in the back of my throat, and relax the base of my tongue.  I practiced this assiduously and did it conscientiously.  But by doing this I COULD NOT CRACK TO SAVE MY LIFE!!  Perhaps that is great for normal classical repertoire, but for this supercharged emotional moment I needed to sob.  The solution was easy.  When I got to that Eb I simply closed up and tightened my throat.  BINGO!!  I cracked like you wouldn’t believe, and what a sob it was!  At first it was godawful, uncontrolled, and very excessive, but I played around with it and refined it until it was just what I wanted.  I figured out how I didn’t have to actually tighten my throat and was able to crack/sob with relaxation using an easy flick of the back of the tongue and throat. Now I can sob with the best!  (Frankly, I believe I still overdo it at times, but it’s fun)!  I do several other highly heartbreaking (I hope) sobs in this aria, especially one a few seconds later on the last note I sing in the aria, the ‘tà’ of the last ‘pietà.’  Click here to hear the complete aria: Giuseppe Verdi: Cortigiani, vil razza dannata from Rigoletto; Ian Geller as Rigoletto; Charlotte Philharmonic, Albert E. Moehring, conductor.  Click here for only the cadenza with the two sobs.  Such sobs are also common in Eastern European Jewish cantorial music.  Click here to hear more nice sobs: Max Janowski: Avinu Malkenu; Ian Geller, baritone/ conductor; Chicago Choir Singers; Paul Vander Weele, organ.  (I never ever sob in the art song repertoire.  It is most inappropriate)!

 

There are many many additional details, different on each note, with each vowel and each consonant, which are far too numerous and much too subtle to write about here.  There is much that simply has to be experienced in a lesson.  There are feelings, sensations, interpretation of terminology, and ideas with which both student and teacher must experiment.  Call me: 917-439-1563, to discuss details and explain often used terminology like registers, head voice, head resonance, chest voice, whistle, falsetto, passaggio, placement, cover, and more.

 

Most important: TO BE GREAT, SINGING MUST ALWAYS SOUND EASY AND BE EASY!  Good singing should appear effortless.  Many folks presume that building power and high notes require destructive effort and allow the word, ‘effortless,’ to slip by unnoticed.  NO, NO, NO!!!  The process requires ease and relaxation.  This comes first and foremost.  The voice must NEVER be taxed and there must NEVER be any strain.  Dramatic outbursts, accents, and heavy duty emotion must be powered entirely by the abdominal muscles and NEVER by tension in the throat.  Any student can achieve this through careful practice.  It REQUIRES practice!  (Sorry about that; yes, YOU MUST PRACTICE!  We all know how to get to Carnegie Hall).  

 

Q.  How long does it take?  How long must one work with a teacher to see results?  (On that subject: a young lady came to me for voice lessons.  “I want to learn to sing so badly because I’m going to audition for American Idol,” she told me enthusiastically. Restaining myself from telling her how successful she was because she really did sing badly, I asked her, “When do you expect to audition?”  “Next Monday,” she replied.  After that first lesson I never saw her again, but I do believe she did not pass the audition).

 

A.  Many people can do much of this immediately under careful supervision in a lesson, and, as stated above, results are apparent at once at the first lesson.  Immediate results are often spectacular! But please do not expect to learn or be able to do very much immediately in performance.  Because there are so many intricate details for each vowel and consonant, different in each range, it can take quite a while for some people to become consistent in performance.  New feelings, sounds, sensations, and positions must become second nature.  One should not have to think about technique in performance.  Technique should just be there and the performance should just go.  Some people learn quickly and easily, but others have great difficulty giving up long established tensions. A frequent problem is that any change in tone production goes hand in hand with a change in the physical way one does it, and therefore, feels different from the sensations to which one has become accustomed.  Thus, many students are actually unnerved by a new feeling of relaxed singing.  Some students are confused by the unexpected brightness and resonance of a free tone.  Often when students produce a much more resonant tone for the first time it sounds to them excessively bright, brassy, and shrill, because they are hearing the sound which is within their bodies rather than the sound that projects outward to the listener.

 

Q.  Do I teach everyone the same way?

 

A.  Wouldn’t it be nice and easy if I could.  But one cannot teach voice to everyone the same way.  There may be similarities as to how things work and feel for everyone, but there are also differences.  Every person and every voice is different physically, and thus every voice sounds different, just as every fingerprint, DNA, or snowflake is different.  What works one way for one student may well work a different way for another.  Due to differences in the physical structure of each individual, the ideal position of the mouth, tongue, and throat may be different for each singer.  I begin mechanistically, telling the student exactly how to stand, breathe, open and relax the throat, and feel breath pressure, or support, from the abdomen.  Occasionally, however, I encounter some students who do not respond well to this.  There are a slew of other techniques involving imagery and imagination which I have learned and continue to learn in pedagogy classes, reading, and experimentation.  I have not yet encountered a student who does not respond to certain techniques.  

 

Q.  How long can your voice last?  At what age does the voice deteriorate?  

 

(FYI one of my demo downloads was recorded live at age 68.  

It Ain’t Necessarily So from Porgy and Bess: George Gershwin; Ian Geller as Sportin’ Life; Sam Magrill, piano.

Recorded live, Clubhouse Three, Laguna Woods Village,

Laguna Woods, CA, 1-7-2011)

 

A.  If you sing well with proper breath support and an open and relaxed throat, you can go on and on sounding great!  There are a few fine singers, who know exactly what they are doing, who sound young when they are sixty.  Placido Domingo at seventy still sounded quite good.  Check out a film on YouTube.com of the great Russian bass, Mark Reizen, singing Prince Gremin’s aria from Eugen Onegin in a special performance on the occasion of his ninetieth birthday!  He sounds terrific!  (Unfortunately, Magda Olivero, singing at her 100th birthday celebration, does sound way past her prime, but back when she was only 80...).  But if you do not sing well you can be over the hill before you start!  How many singers sound old and shaky when they are under thirty?  I can think of quite a few examples of early retirees, but no names.  I can’t afford to get sued!  I knew one teacher - again no names - who retired in her mid ’30s after a brief but great career at great houses. She claimed it was because she sang heavy roles while still in her teens.  I claim it was because she didn’t know diddly-squat about vocal technique.  Old age will cause a voice to go downhill, but only when the body goes downhill.  The defects we hear in many older singers are not always due to old age.  The wobbles and painful high notes are often caused by incorrect tension and poor position that have crept, little by little, into their singing.  If the singer is still sound of body and the problems with tension and position are corrected the older singer immediately regains his/her lost vocal youth.  If I may immodestly quote a sixty-five year old student at her first lesson with me: “Bless you, Dr. Geller.  That’s the first high C I’ve sung in over twenty years.”  One of my very best teachers, Sonia Sharnova, a leading mezzo of the Chicago Opera and the German Grand Opera in the thirties and forties, was in great physical shape up to her death at age ninety-two.  On her ninetieth birthday she suffered a twisted colon and had to be rushed to the hospital for major surgery, pooping her own birthday party.  Several days later, when the anesthesia had worn off, I visited her and found her entertaining the nurses singing Ai nostri monti from Il Trovatore.  Lying in a hospital bed, following abdominal surgery, at age ninety, her voice sounded rich, big, beautiful, and totally steady without a trace of a wobble.  When she would demonstrate in the studio – wow!  She was totally into the techniques of relaxation, the open throat, and support, and she sounded forever in her prime.  

 

Q.  But what if I just don’t HAVE that great voice, or those thrilling high notes, or that floating pianissimo, or that creamy smoothness, or that even scale?  What if my voice is not big enough?  

 

A.  Baloney!  (I know I am being redundundant and repetititious). It is vital to understand that every aspect of the sound of the great voice is based on the way the singer sings physically.  That IS technique. Virtually every healthy singer potentially HAS a fine voice, (as do most healthy non-singers), but few know how to DO it.  Thus, with proper use of the body, most folks WILL have at least a fine voice, those thrilling high notes, that floating pianissimo, that creamy smoothness, that even scale, and that big sound.  

 

Q.  What vocalises work the best?  How does one approach performing music?  (And why do I put these apparently different questions together)?  

 

A.  Mindless repetition of vocalises up and down, over and over does not improve your voice.  Actually, what the vocalise is makes little difference.  Singing particular vowels and consonants again and again does not increase freedom, nor improve the top, nor increase resonance.  It is only specifically HOW you sing vowels and consonants physically that makes a difference.  I use simple scale and arpeggio passages on each vowel, concentrating on maintaining an easy relaxed open throat and an awareness of specifically how everything feels throughout the entire range.  In preparing a piece of music I like to approach each phrase of a song or aria as a complex vocalise, where the words and notes provide a series of vowels and consonants on varying pitches and dynamics.  I compare it to running an obstacle course.  Each note, each vowel, each consonant, each syllable must be produced in an easy, free, open, and relaxed manner, with the best possible position and breath support.  After carefully practicing this way, everything soon becomes easy and natural, the voice sounds consistantly big, full, and terrific, high notes are always easily there and everyone is impressed.  (Most people don’t realize how easy those high notes are for the singer who knows how to do them)! Consider that conductors and coaches, who are usually pianists, will ask singers to do certain passages a certain way.  I have seen singers struggle with some nuances due to lack of technique, often accusing conductors of vocal ignorance.  The technically proficient singer can do anything without problems.  Sorry, I do not have room here to discuss all the many details, but call me: 917-439-1563.  I’ll try to answer any question you have.

 

Q.  How should one practice?  

 

A.  This is one of the most important paragraphs on this page.  I see constantly that many musicians, and especially singers, often do not study and practice properly.  Good practice habits can make a huge difference in what one accomplishes.  The process is very very simple, but for some people can be very very boring. One must analyze the technical difficulties, examine the position and movement of whatever body parts are involved in singing or playing their instruments, and break apart the music or exercise upon which they are practicing into tiny sections.  The sections may be as little as a fraction of one note, perhaps the attack, or the release, or the transition from one vowel to another, or one consonant.  The sections should rarely be longer than one phrase until the components of each phrase are perfected or at least greatly improved.  Each tiny section is then repeated, over and over, ad nauseum, concentrating on perfecting the position, the way in which the muscles are used, solving every musical problem, and getting everything just right.  Many singers simply sing through their vocalises and repertoire, rarely correcting anything, and call it practicing.  Some specifics: moments before I sat down at my computer to type these words I was practicing Why Do the Nations from Händel’s Messiah.  I have been singing and practicing this aria for over four decades and although it is always a hit with audiences and although I have gotten lots of jobs using it as an audition piece, I seriously expect to go to my grave long before I ever get it right to my personal standards.  I don’t worry about it because I know my personal standards are far beyond what I, a mere human being, am capable of, but I want to maintain these impossible standards nevertheless.  It keeps me in good shape and I do believe that in performance of music, self-satisfaction means artistic death.  Today I began at the beginning. (Often I start at some troublesome spot in the middle).  The first note, C one octave below middle C, is on the word, ‘why.’  I repeated that one note perhaps twenty times, first carefully making sure I was breathing correctly, then examining how my jaw relaxed on the [α] sound and making sure the lift at the back of the throat was there at the beginning, ready for the E above middle C on the word, ‘so’ in the middle of the phrase.  There is always the temptation to force this note and I do not ever want to do this. Then I continued with the rest of the phrase.  I was delighted that years of practice has paid off and I was able to ascend to that E with a small crescendo without a hitch the first time: my voice went right into what some folks call the head voice on the word ‘so’ quite smoothly.  That E, however is not the peak of the crescendo and must be held back for the next note, middle C, on the word ‘furiously.’  To be properly expressive the [fjU] must have a small accent, with a small punch from the abdominal muscles while the throat remains perfectly relaxed.  It was OK but felt slightly insecure so I repeated the phrase perhaps ten times, playing with the accent, trying a little more or a little less punch, and trying the elongation of the [j] so it came out [fijU].  I finally got it the way I liked it, did it two or three more times, and went on to the next phrase.  In the hour and a half that I practiced that aria I did not get through the whole piece, but quit in the middle to go on to several impossibly long phrases in Die zwei blauen Augen from Mahler’s Lieder eines fahrenden Gesellen, which I stubbornly insist on doing in one breath.  (Sure, I could breathe in the middle as others do, but what good does that do for my breath control)?  This approach, analyzing the technical difficulties, examining the position and movement of the body parts are involved, and breaking apart the music into tiny sections and repeating each section, over and over, concentrating on trying to achieve an impossible perfection, has enabled me to sing better than I would have been able to sing had I not practiced thus.  VERY IMPORTANT!  Practicing for many hours in this way for hours at a time should and must not be tiring at all, because one of the most important things upon which you must be concentrating is relaxing with an open throat as much as possible at all times!

 

One of my greatest theory teachers, Ralph Dodds, a pianist, stated, “Practicing is drudgery.”  Unfortunately, practicing correctly is what one must do.  The reward of this drudgery is excellence. Maybe, some day, I will achieve the excellence I seek.

 

If you think you have less than a great voice, or if aspects of singing give you trouble, especially if things have not significantly improved in the last few months, or if you have questions, or want more information, or if you just want to discuss or argue about singing, call me: 917-439-1563.  

 

Listen to the downloads on this website which are at the bottom of the Home / Downloads page.  Click here to go directly to the downloads on the Home / Downloads page of this website.  There is a huge variety of music, styles, and languages, including live recordings of arias from Rigoletto and Nabucco.  Hear what I can do in terms of my range, dynamics, breath control, diction, and other technical and musical aspects of my singing, all of which was developed through years of study and practice.  I sometimes wonder if I would really understand these aspects of singing had I been born with the ability to do these things.  

 

I am from Chicago.  Details of my education, my own teachers, where and what I have taught, and what I have done are on the Curriculum Vitae page, the Repertoire page, the Biography page, the Performance List page, and the Reviews page.

 

A FINAL COMMENT  

In looking at what I have written I think I may have totally misrepresented myself.  I appear to be completely into technique. This is false.  My only real interest is the music, the expression, the phrasing, the drama, the colors, the meaning of the text, the interpretation, the understanding, and the projection of the idea of the composer and poet.  If you listen to my CDs (Click here to go to the CDs page), or the downloads (Click here to go directly to the downloads on the Home / Downloads page of this website), you will hear many nuances of color and dynamics which I feel belong to the music and the text.  But I find that I can only achieve my artistic values through a complete technical understanding of what I am doing.  In order to perform nuances easily and consistantly every time, precisely as I want them to be, I must repeatedly practice the way I physically accomplish them.  That is why I get so hung up on technique.  

 

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SOME (85) OF MY FAVORITE SINGERS.

WHOM DO I CONSIDER TO BE A GREAT SINGER?

 

In teaching voice it is important to know what my standards are and what I consider to be truly fine.  I have compiled this list of 85 singers whom I like, admire, and simply happened to think of as I wrote this webpage.  (There are many more).  All of the singers on the list had at some point, usually earlier in their careers, great refinement and admirable artistic qualities beyond merely a fine instrument.  All of them, being human, are imperfect and have some flaws here and there.  I, personally, cannot and will not consider putting singers with little refinement and artistry on my list, even though some may have had the greatest vocal instruments ever.  Of course I have not heard everyone, therefore, my list is incomplete.  Call me if you have any suggestions for additions. (Mario del Monaco and George London are NOT(!!) on the list). Wanna fight?  Call me: 917-439-1563.

 

You do know who all these people are, I hope.  If you don’t, do yourself a great favor, give yourself a great education, have great fun, and find out.  They are all somewhere on CDs and on the web.  Most of them have something on YouTube.com.  And in general, listen to recordings made earlier in their careers.  Many (most?) singers disintegrate in later career (definitely not Magda Olivero, Leontyne Price, or Mark Reizen) but often keep or kept singing out of a combination of denial of their failing powers and/or greed: opera companies, presenters, impresarios, and the artists themselves could sell tickets and make money on the basis of their names no matter how poorly they sound or sounded.  

 

What is really important?  Before you read my list, I need to mention that once, probably around 1974, my future ex-wife and I went to the Stratford Festival in Ontario.  After the play, (I have forgotten which play it was, but it might have been Molière’s Le Malade imaginaire [The Imaginary Invalid] or Shakespeare’s Love’s Labour’s Lost), one of the actors gave a mini-recital, about six minutes long, singing one cycle, Ravel’s Don Quichotte à Dulcinée.  This actor-singer had a puny, thin, nothing voice with a weak, slightly constricted top – but he was a superb actor and although he had an English name, his French was perfect and beautifully inflected.  His interpretation, musicianship, phrasing, and dynamics were exceptional.  This remains the best, most enjoyably wonderful Don Quichotte à Dulcinée I have ever heard, despite his lack of voice and despite my having heard it frequently, sung by singers with some of the greatest voices in the world, but lacking his artistry, including people on the list below.  So for me the answer to what is really important is artistry and getting the musical and textual idea across to the audience. Nonetheless, excellent vocal technique would have helped this man greatly.  

 

And, by the way, check out Barbra Streisand singing classical music.  The album is entitled “Classical Barbra.”  Many classical music lovers, who are often insufferable snobs, hate this album, because her pop style is far removed from the “correct” classical style, but so much of what she does is absolutely gorgeous.  (And I am proud to be one of the most insufferable snobs anywhere).  

 

SOPRANOS

• Elly Ameling (A wonderful, pure, limpid voice, great Lieder).
• Victoria de los Angeles (A great artist with a wide range.  She was a great Violetta and Carmen!  Recital encores were Spanish folksongs in which she accompanied herself beautifully on guitar).
• Martina Arroyo (A luscious voice).
• Arleen Auger (The one and only true love of my life).
• Patricia Brooks (One of the greatest performers ever.  A truly great artist and actress.  The one and only true love of my life).
• Montserrat Caballé (Great dramatic and lyric, great high floating pianissimo, and fioratura.  The one and only true love of my life).
• Maria Callas (One of the most musical and dramatically excellent artists anywhere, she had a unique, unmistakable style.  Some aspects of her technique were wonderful: for instance, her fioratura was exceptionally accurate and she sang the best trill in the business (pace Joan).  Other technical aspects were weak, like that awful wobble around the G to C above the staff and vowel distorting tensions in her tongue.  Her amazing assets were so great that she is on my list; her vocal problems prevent her from being the one and only true love of my life... maybe).
• Eileen Farrell (The hugest, biggest, most powerful voice, very smooth and beautiful.  I once heard her drown out the Chicago Symphony in Wagner; she also did light lyric songs and arias exquisitely.  She also sang great Bach and amazing idiomatic pop and jazz.  The one and only true love of my life).
• Kirsten Flagstad
• Renée Fleming (The one and only true love of my life).
• Mirella Freni (The one and only true love of my life until she took on heavy roles in the ’70s and slightly deteriorated to merely great).
• Sona Ghazarian (The one and only true love of my life).
• Sumi Jo (The one and only true love of my life).
• Gwyneth Jones (All too briefly in the early and mid ’60s she was gorgeous, with astounding control, a wonderful artist, and the one and only true love of my life.  Although she had a very long career because she could get through dramatic Wagner roles really loud, by 1970 she had disintegrated and was wobbly, strained, and ugly).
• Zinka Milanov (Sang the Italian repertoire with a Slavic sound).
• Birgit Nilsson
• Magda Olivera (One of the most expressive singers.  She dies better than anyone else...sob...  One of the very few who sounded as great at the end of her exceptionally long career as she did at the beginning.  She continued to sound terrific at a very advanced age due to excellent technique.  The one and only true love of my life).
• Leontyne Price (One of the few who sounded as great at the end of her career as she did at the beginning.  Another one and only).
• Margaret Price (Another Price, another one and only true love).
• Sondra Radvanovsky (The one and only true love of my life).
• Renata Scotto (Gorgeous artistic lyric-coloratura and the one and only true love of my life in the ’60s and early ’70s.  In the later ’70s she took on dramatic roles and became flat and wobbly).
• Eleanor Steber
• Joan Sutherland (A dramatic soprano, a fine Turandot, but had one of the greatest careers in opera specializing in lyric coloratura roles like Lucia and Marie.  Fantastic fioratura, mushy diction).
• Renata Tebaldi (Wonderful early on and the one and only true love of my life.  Problematic top later on).
• Kiri Te Kanawa

 

MEZZO-SOPRANOS (and Contraltos)

• Belén Amparán (For some reason she only rarely did the really big roles at the Met, but had one of the most gorgeous voices of anyone ever.  Her portrayal of two blind ladies, La Cieca in La Gioconda, and Madelon in Andrea Chenier, were quite extraordinary.  The one and only true love of my life).
• Cecilia Bartoli (One of the greatest performers ever.  One of the greatest artists and vocal technicians; her fioratura is phenomenal, her dynamic control is amazing, and her top is better than most sopranos.  She sings soprano repertoire and her high C at the end of Mozart’s Exultate Jubilate leaves most sopranos in the dust. Another of the oh so many one and only true loves of my life).
• Janet Baker (One of the greatest artists, musicians, and vocal technicians; no break into her chest.  Truly gorgeous Lieder singer. Close to perfect!  The one and only true love of my life).
• Cathy Berberian (Unlike everyone else on this list, she had a smallish, not particularly great voice, and her top was slightly constricted, even though she could get way up there.  But she was a very different, phenomenally great artist.  She specialized in the avant-garde and could adjust her voice to sing flawlessly in any imaginable style of classical music, folk music of any ethnicity, jazz, pop, or anything else.  Her diction was so amazingly clear that it should serve as an example for every other singer.  Despite a less than perfect classical voice, her unique, extraordinary artistry, unequaled by anyone I can think of, makes her another one and only true love of my life and surely one of the greatest, albeit neither popular nor famous, singers of all time.  A must hear).
• Grace Bumbry (Gorgeous mezzo; switched to soprano around the ’70s I think.  After that she never sounded quite as good).
• Fiorenza Cossoto (Sensational in the ’60s but her exteme top became flat in the ’70s and little by little got worse and worse).
• Marilyn Horne (Great, but occasionally minimally flat in the lower middle.  She specialized in accentuating a huge break into her chest, which audiences loved, but which I considered dreadfully tasteless.  However, I heard her sing Schubert where she achieved an extrordinary smoothness into her chest.  So she could do it!).
• Christa Ludwig (The best Ortrud I ever heard).
• Jessye Norman (Usually great, albeit occasionally minimally flat).
• Frederica von Stade (A great artist, beautiful voice and vocal technician.  The one and only true love of my life).
• Risë Stevens
• Tatiana Troyanos (One more one and only true love of my life).

 

TENORS

• Carlo Bergonzi
• Jussi Bjoerling
• Joseph Calleja (An extraordinarily great artist!  Not the biggest, most resonant sound, but beautiful singing, great control, and the most wonderfully gorgeous expressive nuances of music and text).
• Jose Carreras (Great in the ’70s.  Later, he developed a wobble).
• Enrico Caruso (Sounded best in the early 1900s.  A true legend. Puccini didn’t like him because he was a poor musician!).
• Franco Corelli (One of the greatest voices of all time).
• Placido Domingo (Sang magnificently until over 70 years old).
• Juan Diego Florez (Amazing fioratura, amazing everything else).
• Bryan Hymel (Wonderful, big, great top, very well controlled).
• Jonas Kaufman (Great in Heldentenor and lyric roles, great artist, very musical, sounds almost like a baritone but has a great high C).
• Lauritz Melchior (A great Heldentenor, but also a great Tamino).
• Luciano Pavarotti
• Jan Peerce (A great operatic and Jewish cantorial voice).
• Joseph “Yossele” Rosenblatt (A great Jewish cantorial voice).
• Helge Rosvaenge (Amazing high D).
• Joseph Schmidt (A wonderful voice and an exceptionally fine musician.  His very short stature inhibited his career.  I recommend that you look him up.  He had a most unusual, quite tragic career).
• Gershon Sirota (A great Jewish cantorial voice).
• Richard Tauber (Lehar wrote many operettas with him in mind).
• Richard Tucker (A great operatic and Jewish cantorial voice).
• Ramon Vargas
• Rolando Villazon (Gorgeous, great, very musical, very intense. Recently encountered vocal/medical problems.  Will he recover?).
• Fritz Wunderlich (Best production and smoothest passagio).

 

BARITONES

• Ettore Bastianini
• Vladimir Chernov
• Dietrich Fischer-Dieskau (The single greatest interpreter of German Lieder, with extraordinary lyric beauty and vocal control, until the mid ’70s when he started overemphasizing text at the expense of vocal line and beauty).
• Thomas Hampson (Gorgeous expressive Lieder).
• Dmitri Hvorostovsky
• Tito Gobbi (Without any question, in my highly opinionated opinion, the absolute greatest operatic performer, artist and actor ever, albeit not always a beautiful sound and, later in his career, a limited top.  Personally, I think he never cultivated mere beauty, but sought a sound appropriate to the character.  As the baritone, thus usually the villain, he often sounded appropriately nasty, but he could at times sound very beautiful.  The variety of colors he could get into his voice was an inspiration to me).
• Simon Keenlyside (Do not miss.  Great vocally and artistically).
• Robert Merrill
• Titta Ruffo (It is said that in one concert, he got a bigger ovation than Caruso, who, out of jealousy, kept him out of the Met.  This may be untrue and they did record duets together in the teens).
• Riccardo Stracciari
• Leonard Warren (The greatest baritone voice of the century.  I keep two of his early recordings of the Prologue from Pagliacci on my computer.  Whenever I feel too complacent or self-satisfied, I listen to them, and it puts me in my place).
• Tudor Williams (A complete unknown, the uncredited singing voice of Boris Karloff in Charlie Chan at the Opera and other films from the ’30s through the ’50s; an amazing magnificent voice!  Read about him and do not miss: Click here to go to AN AMAZING DISCOVERY on the page, True Stories / Humor).

 

BASSES (and Bass-Baritones)

• Feodor Chaliapin (A legendary Boris Godonov).
• Boris Christoff
• Franz Crass
• Nicolai Ghiaurov (Powerful and dramatic at first, in later years he sounded like he was being careful, although always beautiful).
• Alexander Kipnis (Great voice, great artist).
• Kurt Moll (Possibly the greatest bass voice of the century).
• René Pape (Vocally and artistically the very best.  Do not miss).
• Tancredi Pasero
• Ezio Pinza
• Samuel Ramey
• Mark Reizen (Listen to him on YouTube.com at age 90).
• Martti Talvela
• Bryn Terfel (A wonderfully great artist and voice.  Do not miss).
• Norman Treigle (An incredible Méphistophélès).

 

BEST ENGLISH DICTION

• Cathy Berberian (See above under mezzo-sopranos).
• Frank Sinatra (Like nobody else, you understand every word).

Tatiana Troyanos

Frederica von Stade

Eileen Farrell

Patricia Brooks as Manon (Massenet)

Patricia Brooks

Montserrat Caballé BEFORE

Montserrat Caballé AFTER

Cathy Berberian

Cecilia Bartoli

Janet Baker

Belén Amparán

Sumi Jo

Sona Ghazarian

Mirella Freni

Renée Fleming

Gwyneth Jones

Magda Olivero (b. 3-25-1910)

Magda Olivero, on 3-20-2012,

five days before her 102nd birthday.

Leontyne Price as Aïda

Arleen Auger

Renata Scotto as Elisabetta di Valois

Sondra Radvanovsky as Anna Bolena

Margaret Price as Elisabetta di Valois

SEVERAL OF THE MANY

ONE AND ONLY TRUE

LOVES OF MY LIFE

IAN GELLER, baritone • YBA MUSIC • 2 Prout Avenue, Suite 6 • Troy, NY 12180-6829

E-mail: iangeller@email.com  •  Telephone: 917-439-1563  •  Website: http://www.iangeller.com

 

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Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

IAN GELLER, baritone • YBA MUSIC • 2 Prout Avenue, Suite 6 • Troy, NY 12180-6829

E-mail: iangeller@email.com  •  Telephone: 917-439-1563  •  Website: http://www.iangeller.com

 

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Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller baritone composer conductor voice teacher vocal coach master classes singer opera oratorio concert recital programs recordings CD Lieder art songs

Jewish Cantor liturgical folk music star writer producer CHELM! one-man musical comedy Ian Geller baritone composer conductor voice teacher vocal coach

master classes singer opera oratorio concert recital programs recordings CD Lieder art songs Jewish Cantor liturgical folk music star writer producer CHELM!

one-man musical comedy fantasy Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller

Ian

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller Ian Geller